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<h2 class='date-header'><span>Thursday, November 22, 2007</span></h2>

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<p class=MsoNormal align=right style='margin-bottom:12.0pt;text-align:right'><span style='color:black'><img height="394" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh5.googleusercontent.com/proxy/VQ8DJGXNXxIdv4flXZGfjxg7LvnyrtIQU6E9jSXwQoLX06Q057PFN9WEFHt0F2ZaXFfsNhocSxrQyVJup2_H3f5cPHA_8NhxTOw-zOno8Tp0%3Ds0-d" width="276"><br>
</span><span style='font-size:8.0pt;font-family:Arial;color:black'>Lyn Hejinian<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>A quick note on what is Thanksgiving in the </span><st1:country-region><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>United States</span></st1:place></st1:country-region><span style='font-size:10.0pt;font-family:Arial;color:black'>, a day commemorating the ability of the Plymouth Colony in </span><st1:State><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Massachusetts</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'> to do what the <a href="http://en.wikipedia.org/wiki/Lost_Colony"><span style='color:black'>Roanoke Colony</span></a> of </span><st1:State><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>North Carolina</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'> had not &#8211; survive. In practice, this celebration has always been one commingled with politics. The Continental Congress first declared a Thanksgiving Proclamation in 1777 for it too had as yet survived, tho the army of George Washington had recently suffered the worst military defeat in American history, the </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>Battle</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> of the </span><st1:place><span  style='font-size:10.0pt;font-family:Arial;color:black'>Brandywine</span></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>, September 11 of that year, and had retreated to the relatively protected confines of </span><st1:place><span  style='font-size:10.0pt;font-family:Arial;color:black'>Valley Forge</span></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> for the winter. Washington himself would proclaim a Thanksgiving holiday in 1789, this time in honor of the newly ratified Constitution. Other presidents followed suit on six occasions until 1815, after which it was dropped until resurrected by Abraham Lincoln, who twice declared the holiday as the </span><st1:place><span  style='font-size:10.0pt;font-family:Arial;color:black'>Union</span></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> once again survived. This initiated a sequence of proclamations that has been followed ever since, although it was another president with war clouds gathering, Franklin Delano Roosevelt, who set it into the form we have today in 1939. Congress put it into law in 1941. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>I am, in honesty, thankful for many things, from my family to my readers to my health. I&#8217;ve outlived the span of my own father&#8217;s life now by some 23 years, so I&#8217;m acutely aware that there <span class=GramE>are no guarantees.</span> But this year one group of people I really want to note just how much I appreciate <span class=GramE>are</span> my collaborators on the <i style='mso-bidi-font-style:normal'><a href="../../../../My%20Documents/Ron/The%20Work/Critical%20Writing/Blog2/Blog%20-%20Friday.htm"><span style='color:black'>Grand Piano</span></a> </i>project. These are all people I&#8217;ve known for at least 30 years &#8211; Barrett Watten and I go back 43 years, Rae Armantrout and I 38. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Lyn Hejinian and I first appeared on facing pages in the magazine <i style='mso-bidi-font-style:normal'>Arts in Society </i>40 years ago, tho I wouldn&#8217;t begin corresponding with her for another several years, and wouldn&#8217;t actually meet her until October 1976. I can recall the event exactly. There was a book fair at Fort Mason in San Francisco &#8211; the art fort as we thought of it in the years I lived in the City, a couple of piers and buildings of a decommissioned military facility turned over to non-profit use. Hejinian had a table for her Tuumba Press chapbooks, tho she had not at that point printed all that many of them, as number 4, Kenneth Irby&#8217;s <i style='mso-bidi-font-style:normal'>Archipelago, </i>was sitting there on the table with its deep blue cover and &#8220;Tuumba 4&#8221; &amp; &#8220;November 1976&#8221; printed on the upper left &amp; lower right corners of the cover and here it was not yet November. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Although I knew who Lyn was &#8211; we&#8217;d had a fitful correspondence earlier as I&#8217;d misunderstood what she was trying to do in her writing &#8211; and I knew, at some level, that she was the person responsible for Tuumba, so that this person behind the table very likely would be her, I just burst into some rhapsody about how wonderful I thought the poetry of Ken Irby was &#8211; still do, in fact &#8211; and that it was terrific to see that a new press existed that recognized this. She then introduced herself &#8211; count on her to have the better social skills here &#8211; and I apologized for being such an idiot during our correspondence, and we took it from there, a conversation that in some important ways is still continuing, in good part of late thanks to the <i style='mso-bidi-font-style:normal'>Grand Piano. </i>Irby must have been around that weekend as well &#8211; when did he moved back to </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>Lawrence</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'>? &#8211; since my copy of <i style='mso-bidi-font-style:normal'>Archipelago </i>is signed/doodled by him in his terrific calligraphic hand, dated &#8220;Ft Mason / Oct76.&#8221;<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>I think it&#8217;s remarkable that a group of friends &#8211; the circle doesn&#8217;t stop at the border of this particular series of books &#8211; can have the kind of lifelong sustaining relationships that we have had &amp; are still having in the lives and work of one another. As a writing project, <i style='mso-bidi-font-style:normal'>The Grand Piano </i>is a fascinating, complicated, sometimes extremely difficult task. (Right this very moment, I&#8217;m ten days overdue on my assignment of turning in a draft of my section for volume six, the book in which I go first.) Although we are now in the second year of our actual writing &amp; production of the series, we have been discussing this project now for ten years, mostly via email &amp; a listserv. When I was in </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Detroit</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> last month, Barry mentioned to me that his email folder for the <i style='mso-bidi-font-style:normal'>Piano </i>had over 5,000 items in it. I totally believe it. Mine is lighter than that mostly because I&#8217;m not the person who has to deal with printers, nor with the finances, nor with the distribution questions that Barry &amp; Lyn both have to handle. <span class=GramE>Nor Tom Mandel with the website, nor Alan Bernheimer with the documentation.</span> This is a daunting amount of labor and none of us could do it by ourselves, frankly. I can&#8217;t even begin to say how impossible <i style='mso-bidi-font-style:normal'>The Grand Piano</i> would be without Barry to do the typesetting, design work (tho in fact we all review and sign off on it, so that the man is in the unenviable position of reporting to many masters) and trying to manage the calendar. That last one is a skill completely foreign to me. <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>It&#8217;s certainly true that <i style='mso-bidi-font-style:normal'>The Grand Piano </i>is a work empowered by the  literary diaspora of the West Coast language poets &amp; that it wouldn&#8217;t likely be happening now if we were all still living within a BART ride of one another. Yet in the past year, I&#8217;ve been most fortunate to see seven of my collaborators, eight including Bernheimer. Barry &amp; Carla have been good enough to let me sleep under their roof, as has Tom Mandel &amp; his spouse Beth Joselow. Bob Perelman &amp; I have found ourselves at the gardening store buying plants together, or at least accompanying Krishna &amp; Francie who are the knowledgeable ones in that domain. But the <i style='mso-bidi-font-style:normal'>Piano </i>gives us each so many other ways to be involved in each other&#8217;s lives &#8211; the work itself is an act of joy.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>I look at other collaborative projects around poetry, such as the <a href="http://tinyurl.com/37eusj"><span style='color:black'>Subpress Collective</span></a> that has produced so many important books in the past eight years or so, and I hope that there&#8217;s more to this experience for its editors than simply the process of taking turns putting out editions, each the lonely accomplishment of just one or two individuals. The real difference between the <i style='mso-bidi-font-style:normal'>Grand Piano </i>poets and so many of the other collective or collaborative literary formations over the past century always seems to me just how deeply and for how long we have meant so much to one another. Whenever I hear language bashing today, what I really hear most profoundly is <span class=GramE>an envy</span> on the part of isolated individuals that language poets, so-called, seem to have such a big, loud, mostly happy family. It&#8217;s something I wish every writer had the opportunity to experience. So today I want to say thank you to Rae Armantrout, Steve Benson, Alan Bernheimer, Carla Harryman, Lyn Hejinian, Tom Mandel, Ted Pearson, Bob Perelman, Kit Robinson &amp; Barrett Watten &#8211; your lifetimes of generosity are extraordinary. <o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>&#167;<o:p></o:p></span></b></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span class=GramE><span style='font-size:10.0pt;font-family:Arial;color:black'>Plus a special thanks today also to <a href="http://www.myspace.com/geoffreygatza"><span style='color:black'>Geoffrey Gatza</span></a>, who each year creates a menu of poetry for a member of the literary community for Thanksgiving.</span></span><span style='font-size:10.0pt;font-family:Arial;color:black'> This year&#8217;s selection (which is now on the <a href="http://www.blazevox.org/thanks.htm"><span style='color:black'>BlazeVOX</span></a> website) is <i style='mso-bidi-font-style:normal'>This is It, </i>a feast in the shape of an  alphabet, and the guest of honor <span class=SpellE><i  tyle='mso-bidi-font-style:normal'>c&#8217;est</i></span><i style='mso-bidi-font-style:normal'> <span class=SpellE>moi</span>.</i> It&#8217;s a  sumptuous feast in several ways, those you&#8217;d expect and some you wouldn&#8217;t. I put on two pounds just reading the table of contents.<o:p></o:p></span></p>
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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